论谭峭的美学思想  

On Tan Qiao's Contribution to History of Aesthetics

作　　者：潘显一[1] 

机构地区：[1]四川大学道教与宗教文化研究所,四川成都610064

出　　处：《四川大学学报（哲学社会科学版）》2003年第6期59-64,共6页Journal of Sichuan University：Philosophy and Social Science Edition

摘　　要：唐末五代道士谭峭的美学思想,前承盛唐道教审美趣味,后启两宋道教审美风气。其至"乐"即"道"的辩证审美人生观,"感激之道"为核心的宗教艺术作用论,从"凤不知美"出发的审美标准差异说,强调"真信动人"的审美主体论,以及"忘弦匏知乐"的艺术技巧论,都对同时和后世道教美学有所总结、有所拓展,也对中国美学思想在两宋的转变和发展有推促之力。The Taoist priest Tan Qiao's (from late Tang Dynasty and Five Dynasties period) aesthetic thought inherits the Taoist aesthetic taste of prosperous Tang Dynasty, initiates the Taoist aesthetic style of Northern and Southern Dynasty, concludes and to some extent expands the Taoist aesthetics then and for the later ages with all its special aesthetic views, and has done a lot in the change and development of Chinese aesthetic thought in Northern and Southern Dynasty.

关 键 词：谭峭 道教美学 美学史贡献 

分 类 号：B959.9[哲学宗教—宗教学] B83-064