晋东南明清迎神赛社祭仪及其音乐戏剧  

The Cult And Its Musical Play In The Southeast Area Of Shan'xi Province In China In Ming-Qing Dynasties

作　　者：王亮[1] 

机构地区：[1]山西大学音乐学院

出　　处：《黄钟（武汉音乐学院学报）》2003年第3期46-49,共4页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：明清时期山西东南部农村迎神赛社祭祀仪式中的音乐 ,较严格地承袭了唐宋教坊音乐的宫调体系与奏乐机制 ;其队戏、院本、杂剧三种戏曲形式 ,反映了我国戏曲发展进程中的三个层次 ;院本在明清时期并未消亡 ,仍具有一定生命力 ;队戏的发现 。That the music in the cult in countryside in southeast area of Shan'xi province during the dynasties of Ming and Qing strictly impart and inherit the Gong mode system and performance organizational system of Tang and Song dynasties. The three playing form of it were Duixi, Yuanben, and Zaju (comic performance in the Song dynasty), and they reflect three levels of the Chinese play during evolutional process. The Yuanben was not disappeared in the dynasties of Ming and Qing, and discovery of Duixi would help to research deeply on the background of Zaju arose in Yuan Dynasty.

关 键 词：晋东南 明清 祭仪 音乐 戏剧 

分 类 号：J607[艺术—音乐] J609.2