论弗洛伊德精神分析学的文艺观  

On Freud's psychological analysis of literature

作　　者：吕占华[1] 

机构地区：[1]河北师范大学马列教学部,河北石家庄050016

出　　处：《河北师范大学学报（哲学社会科学版）》2004年第3期105-109,共5页Journal of Hebei Normal University(Philosophy and Social Sciences)

摘　　要：弗洛伊德用精神分析学说解释文学艺术问题,形成了一种独特的精神分析学的文艺观,认为文艺创作是一种"个人的白日梦",创作的主题是"俄狄浦斯情结",文艺欣赏即"享受我们自己的白日梦"。这种文艺观与马克思主义的文艺观根本对立,本质上是唯心主义和非理性主义的。但他关于无意识、非理性在文艺创作和欣赏中起作用的观点,也含有积极的合理的因素。批判地吸取这些因素,对于克服长期以来我国文艺创作中存在的模式化、概念化、脸谱化的写作和追求文艺形象的"高大全"等理性主义的片面倾向无疑是有益的。Freud has initiated a uniquely psychological analysis of literature, by which literature is thought of as 'a personal daydream', and the main theme is 'Oedipus affection'. Likewise, literary appreciation is 'enjoying one's own daydream'. Despite the metaphysical and non-rational nature which is contrary to that of the Marxist value of literary, this analysis also plays a positive role in literary criticism. The writer of this paper argues for a critical approach and literary criticism by making a proper use of Freud's psychological analysis, for the sake of Chinese literary creation in ridding of the monotonous stereotype.

关 键 词：弗洛伊德 精神分析学 文艺观 

分 类 号：I01[文学—文学理论]