论中国古典抒情诗回忆性意象的审美超越  

On the Aesthetic Transcendence of Recollective Images in Ancient Chinese Lyrics

作　　者：杨善利[1] 

机构地区：[1]连云港职业技术学院公共管理系,江苏连云港222006

出　　处：《廊坊师范学院学报》2004年第2期18-22,共5页Journal of Langfang Teachers College

摘　　要：中国的古典抒情诗以其丰富的回忆性的审美意象成就了东方诗美的神采。那些闪烁异彩的诗篇,正是因了其中的回忆性的审美意象而平添了令人沉浸其间的无限魅力。在诗人的回忆性意象体验中,达到了"物我交融"的境界时,诗人进入一种超越层次的高峰体验的心理状态,从而使得诗人的情感体验超越了物象、超越了个人情感、超越了历史时空,个人心灵与人类历史沟通,由物会心,由象生意,由物知天,由天而悟的体验天地万物、宇宙苍生,变有限为无限,化瞬间为永恒,进入一种与天地万物融而为一的"宇宙大化"之境。The rich recollective aesthetic images in ancient Chinese lyrics make the great beauty of oriental poetry. It is just the recollective aesthetic images that create the enchanting charm of the brilliant Chinese poetry. When a state of 'harmony between nature and I' is reached in the poet's aesthetic experience, his emotional experience enables him to transcend material object, personal affection, historical time & space, approaching a communication between personal soul and human history. A real understanding of the world and every life in it leads him to the realm of 'Great Universal Harmony'.

关 键 词：回忆性意象 物象 个人情感 历史时空 审美超越 

分 类 号：I04[文学—文学理论]