言不尽意:从哲学到舞蹈艺术的审美意蕴与演绎实践  

Unspoken Intent: From Philosophy to the Aesthetic Connotations and Interpretive Practices of Dance Art

作　　者：孙玮志 

机构地区：[1]广东医科大学人文与管理学院,广东 东莞

出　　处：《艺术研究快报》2025年第1期49-56,共8页Art Research Letters

基　　金：广东省哲学社会科学规划粤东西北专项“‘言意之辨’对中国艺术的影响与运用研究”(GD22YDXZYS02)。

摘　　要：“言不尽意”是一个源远流长的哲学理念,扎根于中国古代的文学与美学传统中。其核心思想在于揭示言语在准确传达思想与情感时的固有局限,倡导人们追求超越语言的深刻艺术境界。在舞蹈艺术领域,这一理念焕发出新的生命力,激励创作者勇于探索多样化且独特的艺术风格。同时,它也鼓励舞者通过细腻而富有表现力的身体语言,传递真挚的情感,从而深刻解读舞蹈作品的内在精髓和深远意境。The concept of “words cannot fully express thoughts” is a long-standing philosophical idea rooted in the rich literary and aesthetic traditions of ancient China. Its core message reveals the inherent limitations of language in accurately conveying thoughts and emotions, advocating for a pursuit of profound artistic realms that transcend mere words. In the field of dance, this concept takes on new life, inspiring creators to boldly explore diverse and unique artistic styles. It also encourages dancers to communicate genuine emotions through subtle and expressive body language, thereby offering a deep interpretation of the inner essence and far-reaching meaning of dance works.

关 键 词：言不尽意 舞蹈艺术 创作 表演 跨文化交流 

分 类 号：G63[文化科学—教育学]