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作 者:薛晓娜
机构地区:[1]辽宁师范大学文学院,辽宁 大连
出 处:《现代语言学》2023年第10期4812-4816,共5页Modern Linguistics
摘 要:不同于格非初期带有先锋气质的作品,继“江南三部曲”之后的《望春风》彰显了格非对人与自然的生态学思考,生态意识贯穿《望春风》的写作发生,表明格非自觉的生态向度。本文通过分析小说生态叙事的三个维度:儿童视角、文明审视、生态回望,洞悉格非对生态家园的回望与对现代文明的沉思。以生态路径进入《望春风》,跟随格非走向充满生态诗意的江南世界,领略“纸上的王国”。Unlike the avant-garde works that exposed the literary world in Ge Fei’s early days, Looking at the Spring Wind, following the “Jiangnan Trilogy”, highlights Ge Fei’s ecological thinking on human and nature. The ecological consciousness runs through the writing of Looking at the Spring Wind, indi-cating Ge Fei’s conscious ecological dimension. This article explores the ecological narrative in the novel from three dimensions: Children’s perspective, civilized examination, and the ecological re-flection. It delves into Ge Fei’s contemplation of the ecological homeland and modern civilization. Using an ecological lens to approach Looking at the Spring Wind, we follow Ge Fei into the poetic and environmentally conscious world of Jiangnan, experiencing the enchanting “kingdom on paper”.
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