沙漠、森林和河流的孤独——浅谈《绿房子》中的天主教文化  

The Loneliness of Desert, Forest and River—Introduction of the Christian Culture in The Green House

作　　者：巩晓琳[1] 

机构地区：[1]南开大学文学院,天津

出　　处：《世界文学研究》2015年第2期19-24,共6页World Literature Studies

摘　　要：《绿房子》是巴尔加斯?略萨的代表作。小说通过其人物的设定阐释了深刻的文化内涵。本文着重分析了天主教文化在拉丁美洲的传播带有的殖民主义的强权性质,其“逻各斯中心主义”的特点使其与拉丁美洲传统文化和新兴资本主义文化产生尖锐的对立冲突。揭示出谋求主体间性,使不同文化在拉丁美洲这块土地上形成对话机制,是打破人与人、民族与民族、文化与文化之间冷漠隔膜,杂糅而不融合的孤独状态的可行途径。The Green House is the representative work of Vargas Llosa. Through setting its characters, the novel illustrates the profound cultural connotation. This paper mainly analyzes that the spread of the Catholic culture in Latin America is always with nature of colonial powers. The characteristics of its “logos centralism” produce sharp conflicts with the traditional culture in Latin America and the emerging capitalist culture. The paper reveals that seeking the intersubjectivity, forming a dialogue mechanism between different cultures in Latin America is a feasible way to break the diaphragm of the indifference between people and people, nation and nation, culture and the culture and mixed without fusion lonely state.

关 键 词：绿房子 天主教文化 资本主义文化 主体间性 

分 类 号：G6[文化科学—教育学]