阿来笔下的汉族形象——以《空山》(三部曲)为中心  

The Image of Han Nationality in A Lai’s Works—Centering on Empty Mountain (Trilogy)

作　　者：李伟妹 

机构地区：[1]暨南大学,广东 广州

出　　处：《世界文学研究》2021年第4期140-146,共7页World Literature Studies

摘　　要：在《空山》中,阿来从人物形象、文化观念与异乡体验等角度塑造汉人。作者笔下的汉人积极进取,与此同时,他们又缺乏男子气概,道德上有所缺失。此外,他们的饮食观念也显得残忍。小说中汉人形象与文化观念的呈现是阿来对异质文化进行选择的结果。作者想象汉族的过程体现了其对藏文化的认同和极力维护藏民族本土传统的努力,而对汉人流散命运的关注则深刻反映作家本人身份认同边缘感受的文学诉求。In Empty Mountain, A Lai portrays Han people from the perspectives of character image, cultural concept and experience of foreign land. The image of Han in this novel is aggressive, yet at the same time unmanly and morally deficient. In addition, their dietary attitudes seem cruel. The re-presentation of the images and cultural concepts of the Han People in the novel is the result of A Lai’s choice of heterogeneous culture. The author’s imagination of the Han nationality reflects his recognition of Tibetan culture and his efforts to maintain the local traditions of the Tibetan nation. The attention to the fate of the Han diaspora deeply reflects the writer’s literary appeal on the edge of his own identity.

关 键 词：阿来 《空山》 汉族形象 比较文学形象学 

分 类 号：I20[文学—中国文学]