块茎思想下吸血鬼形象设计策略研究——以动画电影《精灵旅社》为例  

Research on Vampire Image Design Strategy under Tuber Thought—Taking the Animated Film Hotel Transylvania as an Example

作　　者：范旺韬 任利民[1] 

机构地区：[1]浙江理工大学艺术与设计学院,浙江 杭州

出　　处：《Design（汉斯）》2023年第3期1619-1625,共7页设计（汉斯）

摘　　要：德勒兹思想不拘泥于传统哲学框架,构筑了多维、去中心、动态、原创性的思维模式。块茎作为其思维的基石,具备连接性、异质性、多元性、非意谓断裂性、绘图性、转印性等多种特征。本论文运用块茎思想及相关特征,结合具体佐证案例,探讨这一思想下的吸血鬼形象设计策略,有利于丰富设计创意路径,赋予吸血鬼形象更多层次意义,为艺术创作应用提供有益启示。Deleuze's thought does not stick to the traditional philosophical framework, but constructs a multi-dimensional, decentralized, dynamic and original thinking mode. As the cornerstone of his thinking, tuber has many characteristics, such as connectivity, heterogeneity, pluralism, non-meaning fracture, drawing, and transfer printing. Using tuber thought and related characteris-tics, combined with specific supporting cases, this paper discusses the design strategy of vampire image under this thought, which is conducive to enriching the creative path of design, giving vampire image more levels of significance and providing beneficial enlightenment for artistic creation and application.

关 键 词：块茎 吸血鬼形象 形象设计 

分 类 号：G63[文化科学—教育学]