《只有河南·幻城剧场》历史情境再现空间设计研究  

A Study on the Design of the Space for Reproducing the Historical Situation of “Unique Henan·Land of Drama”

作　　者：郑鑫颖 

机构地区：[1]江苏大学艺术学院,江苏 镇江

出　　处：《Design（汉斯）》2023年第4期3858-3864,共7页设计（汉斯）

摘　　要：本文基于历史情境再现的理论,研究《只有河南•戏剧幻城》的空间设计策略,以“情”的建构为出发点,探究剧场中“境”的营造。首先从观演空间模式的变化开始,坐定式、行进式和站立式分别有不同的空间设计来打造空间的沉浸感。再探究元素的符号化设计,包括地域性场景的符号化、表演理念的符号化和主题曲的符号化。将情境再现的原理运用到剧场空间设计中,关注到了观众与剧场空间的关系,从而有效提高观众的沉浸体验。Based on the theory of historical situation reproduction, this paper studies the spatial design strategy of Unique Henan • Land of Drama, taking the construction of “emotion” as the starting point to explore the creation of “situation” in the theater. Firstly, we start from the change of the mode of the viewing space, and there are different spatial designs for seated, marching and standing to create a sense of immersion in the space. Then we explore the symbolic design of the elements, including the symbolization of the regional scene, the symbolization of the performance concept and the symbolization of the theme song. The principle of contextual reproduc-tion is applied to the design of the theater space, which focuses on the relationship between the audience and the theater space, thus effectively enhancing the immersion experience of the audience.

关 键 词：情境再现 沉浸体验 剧场空间设计 观演空间模式 

分 类 号：G63[文化科学—教育学]