“言情以启蒙”的主题标举与文化超越——明清江南文学精神的一个考察维度  

The Spirit of Jiang Nan Literature in the Ming and Qing Dynasties

作　　者：葛永海[1] 

机构地区：[1]浙江师范大学江南文化研究中心,浙江金华321004

出　　处：《上海师范大学学报（哲学社会科学版）》2014年第3期50-59,共10页Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)

基　　金：国家社科基金"中国城市叙事的古典传统及其现代变革研究"(10CZW038)

摘　　要：明清江南文学既是宋元文学之深化,又是近代文学之预演。明清时期士商的融合培育着新的商业文化,表现为非儒观念与民间文化的结合,雅俗文学的对流互动成为时代的显著现象。明清文人以言情为最主要的写作策略,言情以张欲,言情以反理,言情以明性,其作品内容包含着雅与俗的分合消长,娱乐与教化的彼此纠结,最终达成言情以启蒙。讨论主要从三个层面展开:一是文学形态层面,即雅与俗之分合,娱乐与教化之消长;二是文学主题层面,表现为从"原欲"到"情本"的跨越;三是文学精神层面,江南区域之文学经典高扬启蒙大旗完成对雅与俗、娱乐与教化的双重跨越。Jiang Nan literature in the Ming and Qing dynasties was the furtherance of literature in the Song and Yuan Dynasties,and the prelude of modern literature as well.The integration of scholars and merchants brought about a new commercial culture,namely,the integration of non-Confucianism idea and folk culture,and the mutual interaction between the refined and popular literature was the most outstanding feature.'Sentiment',the main writing strategy,of scholars in the Ming and Qing dynasties,was elaborated in the paper from three perspectives:the literary form,literary theme,and literary spirit.

关 键 词：明清江南 言情 启蒙 文学精神 

分 类 号：I206.4[文学—中国文学]