关于意境的语言学认识  

A Linguistic Study of Artistic Conception

作　　者：易匠翘[1] 

机构地区：[1]湖南大众传媒职业技术学院,湖南长沙410007

出　　处：《湖南大众传媒职业技术学院学报》2004年第4期107-110,114,共5页Journal of Hunan Mass Media Vocational and Technical College

摘　　要：从过程来看 ,意境的形成要通过形象诱发读者展开想象 ,以获得对形象画面的延伸和扩大 ,并产生相应的体味和感悟。如果从语言学的层面来分析 ,意境中的形象即话语的字面含义 ,它以简约为其特点 ,提供了读者想象的可能空间。而话语字面含义间关联程度的降低或破坏 ,则起到了诱发读者想象的作用 ,读者通过想象获得对话语语用含义的理解 。In terms of the process, the forming of artistic conception is resulted from readers' imagination, which is stimulated by images. Readers expand the images and get some tasting and appreciation accordingly. Linguistically speaking, the image in artistic conception is the literal meaning of the discourse, which is brief and offers possible space for readers' imagination. The weakening of the association among the literal meanings of discourses results in the imagination of readers. Readers attain the pragmatic meaning of the discourse through imagination, and this makes it possible that readers can have some imagination space.

关 键 词：读者 想象空间 形象 意境 感悟 画面 话语 简约 现实 对话 

分 类 号：G633[文化科学—教育学] I207[文学—中国文学]