革命·国民·本土——左翼戏剧大众化理论的再思考  

Rethinking the Theory of Left-wing Drama Popularization

作　　者：朱卫兵[1] 

机构地区：[1]东莞理工学院中文系,广东东莞523106

出　　处：《长江大学学报（社会科学版）》2005年第1期32-37,45,共7页Journal of Yangtze University（Social Sciences Edition）

摘　　要：大众化是中国左翼戏剧运动中所提出的最重要,讨论也最广泛的理论问题。它在戏剧与大众关系的向度上,有着独特的精神动力、主体诉求和现实归趋,并在其极端化倡导和原创性实践中显露出先锋姿态。The popularization is the most important and widely discussed theoretical problem proposed in Chinese left-wing drama movement.The extent of the relations between drama and popularization it has distinctive spirit power,objective purpose and realistic tendency and it present its pioneer status by extreme advocate and original creation practice.

关 键 词：左翼戏剧 大众化理论 国民 本土 精神动力 原创性 极端化 

分 类 号：G529[文化科学—教育学] G640[文化科学—教育技术学]