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作 者:李丕显[1]
出 处:《华东师范大学学报(哲学社会科学版)》2007年第2期15-19,共5页Journal of East China Normal University(Humanities and Social Sciences)
摘 要:冯契美学观在国内美学界独树一帜,首先在于它的哲学品位和理论深度,具体表现于从抽象上升到具体的逻辑进路,具有巨大的历史感。考索20世纪中国美学流派的此消彼长,我们不难发现冯契美学与实践美学之间存有深刻的思想关联,这两种美学观可以互相印证其合理性。In China FENG Qi develops a school of his own in the field of aesthetics. First of all, it has a high level of philosophy and a depth - in level of theory. Specifically, it has a logical access from abstract to concrete, which is of a great sense of history. Through a review of 20^th - century Chinese aesthetic schools of thought, we find that there is a profound intellectual connection between FENG Qi's aesthetics and practical aesthetics. They both can justify each other's rationality.
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