郭沫若抗战史剧表现的生死观  

View of Life and Death in Guo Moruo's Historical Anti-war Drama

作　　者：陈鉴昌[1] 

机构地区：[1]西华大学人文学院,四川成都6110039

出　　处：《西华大学学报（哲学社会科学版）》2007年第2期54-57,共4页Journal of Xihua University(Philosophy & Social Sciences)

摘　　要：郭沫若的抗战史剧,选材立意追求普遍性,突出表现为反映人类永久关心的生死问题。它依靠戏剧冲突所表现的生死观,具体内涵包括三点:讴歌人民大众的崇高生死观,鞭挞剥削阶级的卑劣生死观,昭明生存与死亡的辩证关系。艺术作品如何避免速朽而永葆青春,郭剧为我们提供了宝贵经验。Guo Moruo＇s historical anti-war drama pursues universality on resources and conception, which mainly reflect the view of life and death that mankind cares permanently. It expresses the view of life and death by conflict in dramas with three points： to eulogize the public view of lofty life and death; to castigate the view of mean life and death of the exploiting class; and to make clear dialectical relation between surviving and death. Guo＇s drama has provided valuable experience on how to prevent artistic works from being devaluated and keep them alive and prime.

关 键 词：郭沫若 抗战史剧 内容 生死观 

分 类 号：I206.6[文学—中国文学]