作为审美行为过程的“理解”——从主体性美学到主体间性美学  

"Apprehending" as Aesthetic Action——From Subjectivity Aesthetics to Inter-subjectivity Aesthetics

作　　者：蒋满凤[1] 

机构地区：[1]厦门大学中文系,福建厦门361005

出　　处：《集美大学学报（哲学社会科学版）》2008年第1期15-19,共5页Journal of Jimei University：Philosophy and Social Sciences

摘　　要：理解是双向的、互动的,是主体和主体间的交往活动,而不是单向的主对客的阐释。理解者和被理解者是共生的、共同存在的"我—你"关系,是对话的关系。主体间性美学就诞生在这种诗意的理解当中,诞生在"理解"本身成为审美的重要组成部分的同时。人一旦能与对象进行诗意的理解和对话,美学的主体间性也就真正得到了实现。人在相互理解中走向自由和超越才有了可能。Apprehending is bidirectional and interactive; it is not an explanation but a communicational activity between subjects and inter-subjects. Apprehenders and to-be apprehended are interdependent; they are of ＂I-you＂ and interlocutory relation. Inter-subjectlvity aesthetics is born in this poetical apprehending, born in the time when ＂apprehending＂ becomes an important part of aesthetics. Once humans can apprehend and speak with the subject poetically, the inter-subjectivity of aesthetics will have really become true, making it possible for humans to move towards freedom and transcendence in the process of mutual apprehension.

关 键 词：理解 主体性美学 主体间性美学 主体性 主体间性 

分 类 号：B83[哲学宗教—美学] I01[文学—文学理论]