从格式塔理论看比兴思维  

The Bi-xing Thinking Viewed from the Gestalt Theory

作　　者：陈佳莉[1] 

机构地区：[1]华南师范大学文学院,广东广州510006

出　　处：《湖北民族学院学报（哲学社会科学版）》2008年第1期121-123,共3页Journal of Hubei Minzu University：Philosophy and Social Sciences

摘　　要：比兴是中国古典文艺美学的核心理论之一。比和兴在作为修辞方法时两者有别,但作为一种艺术思维方式,则比兴有许多共性,都具有用此意象代替彼意象的隐喻特征。用格式塔心理学和美学理论来看比兴思维,能为我们重新阐释古代诗歌经典理论的心理机制提供一个科学性的新思路。Bi [ similarty ] xing [ associative ] is one of the most important theory in Chinese Classical Aesthetic of Literature and Art. As modes of rhetoric, Bi -xing have some differences, but as a mode of artistic thinking, Bi - xing has a lot of commonness, for example, metaphor, assimilating one image with another. Here we can name it Bi - xing Thinking. Reinterpreting Bi - xing Thinking with the Gestalt Psycology and Gestalt esthetics, we may get a scientific and new thinking for re - interpreting the psycological mechanism of ancient thearies on classical poetry.

关 键 词：比兴思维 格式塔 视觉思维 力 

分 类 号：I01[文学—文学理论]