宗炳《画山水序》的山水美学思想  

Landscape Aesthetic Thought in Zong Bing's Introduction to Drawing Landscape

作　　者：杨成寅[1] 

机构地区：[1]中国美术学院,浙江杭州310002

出　　处：《南都学坛（南阳师范学院人文社会科学学报）》2008年第3期63-65,共3页Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University

摘　　要：宗炳所著《画山水序》是我国古代最早的一篇从哲学和美学角度论析山水画的审美本质和社会功能的学术论文。所论"山水以形媚道"、"以形写形"、"应目会心"、"理入影迹"、"畅神"等绘画美学命题,在我国山水画的发展中起到了奠基作用,至今仍有很高的学术价值。Zong Bing＇ s Introduction to Drawing Landscape is the first academic paper discussing and analyzing the aesthetic nature and social function of landscape drawing from the perspective of philosophy and aesthetics in ancient China. The proposals on drawing aesthetics he advocated such as ＂landscape fawns over the nature by its shape＂, ＂drawing the form by the means of form＂, ＂understanding as soon as catching the sight＂, ＂hiding the truth in the shadow and lines＂, and ＂exercising the mind in the drawing＂ lay a foundation for the development of landscape drawing in China, and they are still highly valuable in aethetics.

关 键 词：澄怀味象 以形媚道 神超理得 应目会心 以形写形 畅神 

分 类 号：I01[文学—文学理论]