汉语与明清诗学中的主题学方法  

Chinese and Methods of Thematology in Ming-Qing Poem'S Theory

作　　者：王立[1] 

机构地区：[1]大连大学语言文学研究所,辽宁大连116029

出　　处：《福建师范大学学报（哲学社会科学版）》2008年第3期36-42,共7页Journal of Fujian Normal University:Philosophy and Social Sciences Edition

摘　　要：明清诗学对诗文因袭雷同的指摘,或为那些启发了后出名句的原创之作不平,或关注特定意象话语与题材、母题间联系,或指出某一时代创作风习及其同特定语汇关系。他们往往把雷同近似现象,归结为作诗有所本积习的必然,是可随时代递迁自然解决的。人们较多地以带有新创标准审视前代诗作。许多新感受、题材和主题,被置放到小说戏曲中来表现。这也启发我们对汉语之于文人抒情文学的联系和易于引起创作惰性,予以更多关注。Ming-Qing poem＇s theory＇ censure to follow poetic prose similarity reseats for original works that enlighten to produce well-know phrases later, or pays close attention to relationship between image＇s utterance and the subject, motif, or points out the relationship between creative manners and customs and relative certain vocabulary in a certain era. They often regard similar phenomenon as the necessity to creat poems through long-standing practice and the phenomenon can be resolved naturally with the changing of time. Most people consider about the past poems with criterions of new creation. Many new feelings, subjects and themes are put into novels and operas for elaboration. This also enlightens that we give more attention to relationship between Chinese and lyric literature of literatic and creative inertness of Chinese that is easily produceal.

关 键 词：明代诗学 诗歌意象 因袭雷同 套语 主题学 

分 类 号：I052[文学—文学理论]