论张玉能的新实践美学观  

On Zhang Yu'neng's New Practice Aesthetics

作　　者：朱志荣[1] 

机构地区：[1]华东师范大学中文系,上海200241

出　　处：《广西师范大学学报（哲学社会科学版）》2008年第3期61-66,共6页Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)

摘　　要：张玉能新实践美学把实践分为"物质生产"、"精神生产"和"话语实践"三个部分,突出物质生产的中心和基础地位。他认为物质生产制约着精神生产和话语实践。审美活动就是在它们之中超越出来的。他重视实践对感觉的价值,重视实践作为思维的根源和标准,并从人的角度、实践的角度超越了费尔巴哈式的直观性,对自由问题尤其重视,强调实践的自由性。在蒋孔阳教授的影响下,他认为实践是一个多层累、开放的概念,至少包含三个层累:物质交换层、意识作用层和价值评估层。这三个层累又分别包涵着自己的内在系统。美和审美是动态的。审美本身是人类的一种超越方式,因而是超越二元对立的。他提出从价值维度来发展实践美学,并特别强调了精神价值,主张实践美学与后现代美学是同步发展的。New practice aesthetics of Zhang Yu＇neng consists of ＂material production＂, ＂spiritual production＂ and ＂discourse practice＂ ,while emphasizing the basic role of material production, which is considered to he a centre. It restricts the two others and aesthetic activities come into being by transcending them all. He puts emphasis on the effect of practice on feelings and practice as a source and standard of thinking. It surpasses Feuerhach Ian intuitionism and puts great emphasis on freedom, especially the freedom of practice. Under the influence of Professor Jiang Kong yang, he insists that practice is an open concept of various levels, which consists of. material interchange, conscious action, value assessment, which also includes inner systems of their own. Beauty and aesthetics are dynamic. Aesthetics is a manner of transcendence, so it discards dualism. He lays stress on the development of aesthetics from the perspective of val- ue. And he emphasizes spiritual value, insisting that practical aesthetics and postmodern aesthetics develop hand in hand.

关 键 词：新实践美学 话语实践 自由性 价值维度 

分 类 号：B83-0[哲学宗教—美学]