杜夫海纳的主体间性美学  

On M.Dufrenne's Intersubjectivity Aesthetics

作　　者：李晓林[1] 

机构地区：[1]厦门大学中文系,福建厦门361005

出　　处：《厦门大学学报（哲学社会科学版）》2009年第1期39-43,共5页Journal of Xiamen University(A Bimonthly for Studies in Arts & Social Sciences)

摘　　要：作为现象学美学家,杜夫海纳重视审美经验,认为欣赏者的审美意识使艺术作品成为审美对象。审美活动中不仅欣赏者与作者之间是主体间性关系,而且欣赏者与审美对象这个"准主体"之间也是主体间性关系。"准主体"概念是杜夫海纳对现象学美学的独特贡献;审美对象的"形而上前景"分析则表明杜夫海纳超越了现象学,走向了存在论。As a typical representative of phenomenology aesthetes, Dufrenne pays great attention to aesthetic experience. According to his point of view, it is the specter＇ s aesthetic experience that turns the works of art into the aesthetic object. He thinks that in aesthetic activity not only the specter and the artist but also the specter and the aesthetic object,which he calls as ＂a quasi subject＂, are intersubjectively related. The concept of ＂ quasi subject＂ is Dufrenne＇ s outstanding contribution to phenomenology aesthetics, and his ＂metaphysical perspective＂ of the aesthetic object indicates that Dufrenne has transcended phenomenology, and gone towards ontology.

关 键 词：杜夫海纳 主体间性 准主体 现象学 存在论 

分 类 号：B83-069[哲学宗教—美学]