扬雄“文质”美学思想及其对汉赋的评价  

Yang Xiong's Aesthetic Ideology of "Elegance" and His Comments on Han dynasty Odes

作　　者：陈碧仙[1] 

机构地区：[1]福建教育学院中文系,福建福州350025

出　　处：《凯里学院学报》2009年第2期51-54,共4页Journal of Kaili University

摘　　要：文与质的关系问题是扬雄美学思想的中心内容。他主张"文质"兼备,二者统一,其中"质"必须符合明道、宗经、征圣的原则,符合这一原则的就是美的。从这个基本观点出发,扬雄对汉赋进行了批评,这源于汉赋的形式与内容不统一,文质不相符。文质和谐才成为美。可见,扬雄对于辞赋的看法,是贯彻了他的"文质"美学思想。The Relationship between＂ Wen＂ and＂ Zhi＂ is the central content in the Aesthetic Ideology of Yang Xiong. He advocated that ＂Wen＂ must accord with the principle of Mingdao and ＂Zhi＂ be combined and united, among which ＂Zhi＂ and Zongjing and Zhengsheng. Starting from the basic view- point, Yang Xiong criticized the Han dynasty odes due to its disunity of form and content and the incompatibility of ＂Wen＂ and ＂Zhi＂. ＂Wen＂ and ＂Zhi＂ being harmonious forms beauty, So, Yang Xiong＇ s views on Ci-fu reflects out his Wen-Zhi aesthetic thought

关 键 词：扬雄 文质 美学 汉赋 评价 

分 类 号：I206.2[文学—中国文学]