论“中和”美学思想产生的哲学渊源  

On the Philosophical Origin of the Emergence of Aesthetic Thinking to "Zhonghe"

作　　者：王晓恒[1] 张铁慧[1] 

机构地区：[1]长春师范学院汉语言文学学院,吉林长春130032

出　　处：《长春师范大学学报（人文社会科学版）》2009年第6期75-77,共3页Journal of Changchun Teachers Coliege

基　　金：吉林省教育厅"十一五"社会科学研究课题(2007第208号);吉林省教育厅"十一五"社会科学研究课题(2008第270号)

摘　　要：先秦"中和"美学思想的产生有着深厚的哲学渊源,主要体现为:"天人合一"的思想是"中和"美学思想产生的主要哲学之源,"阴阳五行"思想是"中和"思想的演绎派生,而"中庸"思想则是"中和"思想的概括性总结。There is a deep philosophical root of the emergence of aesthetic thinking to “Zhinghe” of Pre - Qin Dynasty.The main reflection of the thinking is as follows： the idea of “Harmony between Man and Nature” is the chief philosophical source of the emergence of aesthetic thinking, the theory of “Yin Yang Five Elements” is its deduction and derivation, and the ideology “the Doctrine of the Mean” is its general summary of thinking.

关 键 词：“中和” 哲学 天人合一 阴阳五行 中庸 

分 类 号：B22[哲学宗教—中国哲学]