论阮籍哲学文本中的象思维  

On Ruan Ji's Image Thinking in His Philosophical Texts

作　　者：周奕希[1] 杨贤美[2] 

机构地区：[1]湖南第一师范学院,湖南长沙410205 [2]湖南师范大学,湖南长沙410081

出　　处：《怀化学院学报》2010年第1期81-83,共3页Journal of Huaihua University

摘　　要：阮籍哲学文本的逻辑建构和文学文本的意象创造,存在着一以贯之的思维方式,那就是继承《周易》"立象以尽意"而来的象思维,不同于王弼"得意在忘象"的以意为主的本体思维方式,凸现出的是感性、具体的"象"的独立价值,又以适合之媒介身份完成以象尽意的特殊功能。通过《通易论》和《乐论》两则哲学文本的细读,挖掘象思维的形成和发展,并以此思考文学文本中意象创造的思维惯性。In Ruan Ji＇s philosophical texts and literary texts of the logical construction of the image creation, there is a consistent way of thinking, which is from the Book of Changes that image should bear meaning. The image thinking highlights the independent value of the emotional, specific ＂image＂, and the special features of ＂image giving fullness of concept＂ through the appropriate channel. It is different from Wang Bi＇s ontology thinking of ＂forgetting images after getting ideas＂. Through reading the philosophical texts （ ＂Tong Yi Lun＂ and ＂Yue Lun＂）, the author explores the formation and development of the image thinking and ponders the inertia phenomenon of using the image thinking in his literary texts.

关 键 词：阮籍 哲学文本 象思维 易象 乐象 

分 类 号：B222[哲学宗教—中国哲学]