西方美学参照下的虚静理论  

The Theory of Silence Ambit Under Western Aesthetics

作　　者：武克勤[1] 

机构地区：[1]苏州大学文学院,江苏苏州215021

出　　处：《唐山学院学报》2010年第1期69-72,共4页Journal of Tangshan University

摘　　要：在中西美学的参照和互现中,传统"虚静"理论的动态特质得到了彰显。其外部表现形式是物我合一、凝神沉思、看似静止的主体情态,其内部运动结构又体现为一种外静内动的心理能量场。"虚静"的内涵并非通过静态方式得到呈现,它的"虚"力潜藏于外静内动的相对静止空间内。今人对于"虚静"的研究,必须借助于现代心理学、哲学乃至艺术学的理论工具,从而在民族审美心理的观照下,对现代"虚静"理论进行审视和解读。With reference to eastern and western aesthetics, the dynamic characteristics of traditional silence ambit theory have been visualized. Its exterior form presents itself as fixed attention and peaceful subject mood while its interior structure presents itself as a psychological energy field. The connotation of the silence ambit theory is not presented through peaceful mode, its empty quality is covered under the relatively still space. The modern study of the silence ambit theory must be conducted with the help of theoretical tool of psychology, philosophy and art, so as to examine and interpret the modern concept of silence ambit with reference to national aesthetic psychology.

关 键 词：虚静 迷狂 距离 静观 

分 类 号：I0[文学—文学理论]