南宋时期的三首道教经韵  

Three Taoist Classical Tunes in the Southern Song Dynasty

作　　者：蒲亨强[1] 陈芳[2] 

机构地区：[1]西南大学音乐学院,重庆400715 [2]浙江师范大学图书馆,浙江金华321004

出　　处：《艺术百家》2010年第2期123-131,共9页Hundred Schools In Arts

基　　金：2007年国家社会科学基金艺术学国家一般项目"<道藏>所载音乐资料辑研"(项目编号:07BZJ012)阶段性成果之一

摘　　要：当代道乐经韵大多来源甚古,但至今仍不明其历史源流之详情。本文运用文献稽考和古今互证之法,择要分析南宋产生的经韵曲目在当代运用的现状特点,进而分析其产生年代和发展演变的轨迹,籍以弄清现存道乐保存传统的程度及其历史价值,为推动相关学术研究提供新的认识和资料。Taoist classical tunes at present mostly originate from the ancient times,without detailed information on its historical evolution. The present article employs the methods of literature verification and ancient-present verification to briefly analyze the characteristics of the Southern Song Dynasty used today. Then it outlines its origin and development to clarify the preservation status and historical value of Taoist music and to provide relevant academic study with new understandings and materials.

关 键 词：音乐艺术 道教 经韵 宗教艺术 南宋 破狱 倒卷帘 召请 考证 

分 类 号：J608[艺术—音乐]