赫勒论文艺复兴时期审美自律的呈现  

Heller's Views on the Presentation of Aesthetic Autonomy in Renaissance Age

作　　者：傅其林[1] 

机构地区：[1]四川大学文学与新闻学院,四川成都610064

出　　处：《廊坊师范学院学报（社会科学版）》2010年第2期9-13,16,共6页Journal of Langfang Normal University(Social Sciences Edition)

基　　金：国家社科基金青年项目"布达佩斯学派重构美学思想研究"(07CWW001)成果

摘　　要：布达佩斯学派主要哲学家赫勒从日常生活、伦理、政治、宗教与艺术的关系考察文艺复兴时期的审美自律的呈现,这种考察不仅具有审美现代性的知识谱系性,更具有深刻的文化政治想象,其考察既是一种历史的认知,也是一种价值评价,因为相对审美自律形成的文化体现出人类的个体与物种价值的接近。Heller,an important philosopher of Budapest School,has investigated the presentation of aesthetic autonomy in Renaissance age from the relationships between arts and daily life,ethics,politics as well as religion.This investigation is characteristic of both knowledge genealogy of aesthetic modernity and profound cultural and political imagination.Furthermore,this investigation is not only a historical cognition but an evaluation due to the closer connection between human individuals and species value embodied in the culture emerged from aesthetic autonomy.

关 键 词：阿格妮丝·赫勒 文艺复兴 审美自律 审美现代性 

分 类 号：I01[文学—文学理论]