论屈骚句式在汉赋中的流变  

Qu Sao sentence’s rheology in Han Fu

作　　者：李慧芳[1] 

机构地区：[1]浙江树人大学人文学院,浙江杭州310015

出　　处：《中南大学学报（社会科学版）》2010年第3期111-115,共5页Journal of Central South University：Social Sciences

摘　　要：目前学界对楚辞汉赋之间源流关系的探讨多以汉代骚体赋为主体,重点剖析骚体赋对楚辞的接受。而细究汉赋全貌可知,楚辞对汉赋的影响不仅止于骚体赋。以体式为介观察屈原楚辞与汉赋,可发现屈骚句式在汉赋中的流变主要体现在骚体赋和骚散相间体赋,就骚体赋而言,《楚辞章句》所录与《楚辞章句》外的骚体赋句式也有不同。《章句》所录骚体赋句式对屈骚中的齐言句式过于依赖而显得拘谨;其它骚体赋对屈骚中的杂言句式与齐言句式都有继承,且齐言句式比例逐渐加重;而汉赋对屈骚句式与先秦散文句式的兼收并蓄促成了汉代骚散相间体赋的繁盛。Currently the academic investigation about the relationship between Chu Ci and Hart Fu has mainly focused on sao type fu of Han Dynasty, with its inheritance of ChuCi as a key. Actually, ChuCi＇s impact on Han Fu is not only limited in the sao type fu. From the view of formal characteristics, we can find that Qu Sao sentence in Han Fu is mainly reflected in sao type fu and fu with sentences of sao style and prose style. In terms of sao fu, the sentences in and outside ＂Chu Ci Zhang Ju＂ are also different. Those sentences in ＂Zhang Ju＂ overly depended on the tidy-character sentence in Qu Sao, others inherited the tidy-character sentence and the unequal-character sentence, and the latter gradually increased; Han Fu＇s compatible of Qu Sao sentence and prose sentence before Qin contributed the prosperous of fu with sao type and prose type.

关 键 词：屈原 楚辞 屈骚 汉赋 韵文 骚体赋 《楚辞章句》 齐言句式 杂言句式 

分 类 号：I206.2[文学—中国文学]