《玩偶之家》影响下的《终身大事》和《伤逝》  

Expound the Influence of A Doll's House:Zhongshendashi and Shangshi

作　　者：陈玲玲[1] 

机构地区：[1]上海交通大学人文学院,上海200240

出　　处：《河南师范大学学报（哲学社会科学版）》2010年第4期201-204,共4页Journal of Henan Normal University(Philosophy and Social Sciences)

摘　　要：胡适的《终身大事》和鲁迅的《伤逝》都是在易卜生的《玩偶之家》影响下产生的作品。胡适通过《终身大事》把易卜生的个人主义、女性解放以及现代戏剧的形式引进中国。同时,胡适也吸取问题剧批判现实的精髓,通过《终身大事》揭示中国旧婚姻制度的反人性的文化根源。鲁迅则是继续思考易卜生在《玩偶之家》中提出的问题,他不仅揭示"中国娜拉"出走后的悲惨命运,更暗示娜拉,不仅指子君这样的女性,也包括涓生,挣脱玩偶的命运之路是艰苦卓绝的。胡适从文化着眼,批判旧文化,引入新文化,要建设新文化新制度推进现代化进程;鲁迅则围绕"人的解放",揭示人里面的软弱自私黑暗,提出要战斗要有牺牲的爱,要肩住黑暗的闸门,要立现代化的人。Both Zhongshengdashi written by Hu Shi and Shangshi by Lu Xun are the works of profound influence exerted by Ibsen.In Hu Shi＇s work Zhongshengdashi,he introduced Ibsen＇s consideration on individualism,female liberation and the modern drama＇s form into China.In the meantime,absorbing the essence of problem play,Hu Shi reveals the cultural root contrary to humanity in Old China institution of marriage.Lu Xun,whereas,goes further the question in Ibsen＇s A Doll＇s House.He does not reveal Chinese Nola＇s runaway and miserable fates,but also imply that it is suffering to break the puppets of fate for Nolas,not only the kind of female like Zijun,but also Juansen.From the angle of culture,Hu criticizes the old culture and introduces the new,in order to set up new cultural structure and put forward the modernization.While,on the center of Human Liberation,Lu Xun focuses on encouraging Chinese people to fight,to love,to break the darkness,and to be a redoubtable warrior and a modern men,through his vivid portray and description of selfishness and weakness.

关 键 词：《玩偶之家》 《终身大事》 《伤逝》 启蒙 玩偶 立人 

分 类 号：I207.4[文学—中国文学]