水石文化隐喻——《西游记》中唐僧与《红楼梦》中贾宝玉比较研究  

The cultural metaphors of water and stone——the comparative study betweenTang monk in "Journey to the West" and the JiaBao-yu in "Dream of Red Mansions"

作　　者：冯军[1] 

机构地区：[1]山东大学文学与新闻传播学院,山东济南250100

出　　处：《中南大学学报（社会科学版）》2010年第5期114-118,共5页Journal of Central South University：Social Sciences

摘　　要：隐喻是根据已知的事物把握体验未知的事物,捕捉人对抽象事物感受和体验最重要的形象化手段之一。《西游记》中唐僧与《红楼梦》中贾宝玉水石文化隐喻内涵丰富,隐喻象征深刻。唐僧与柔性的水意象密切相关,贾宝玉与石头、通灵宝玉三位一体,与硬质的石玉结缘,他们虽来自不同的渊源意象,却有着同质的文化隐喻意蕴。他们都涉及到弃不弃、情不情、死不死、物非物四对对立统一的辨证命题,在此是是非非的思维模式中彰显着吴承恩与曹雪芹对生命对人生超然的理解态度、冷然释然的反思精神。水石文化隐喻为我们深入了解唐僧、宝玉蕴含的深层文化价值与意义开阔了视野,也为深刻理解《西游记》《红楼梦》提供了全新的视角。Metaphors are the basis of known experience to grasp unknown things, the most important means of visualization to capture people＇s feelings of the abstract things and experiences. Tang monk in ＂Journey to the West＂ and JiaBao-yu in ＂Dream of Red Mansions＂ have rich cultural metaphors and symbols of profound metaphors. Tang monk is closely related to flexible water imagery. Baoyu, stones, and jade have rigid relations. Although they come from different sources of imagery, they have a metaphorical connotation of cultural homogeneity. They all relate to abandon or-be abandoned, love or not love, die or live, and things or nothings, which are four pairs of dialectical unity of the opposite propositions. These modes of thought highlight WuChen-eng and CaoXue-qin＇s rational attitude to life. The cultural metaphors of water and stone widen our outlook with which we understand Tang monk and Baoyu. They give us the new perspective that we learn deeply ＂Journey to the West＂ and ＂Dream of Red Mansions＂.

关 键 词：西游记 唐僧 红楼梦 贾宝玉 水石文化 隐喻 

分 类 号：I206.2[文学—中国文学]