道教壁画之传统文化意蕴寻踪  

Traces of Traditional Cultural Connotations in Taoist Frescoes

作　　者：程群[1] 涂敏华[2] 

机构地区：[1]厦门大学哲学系,福建厦门361005 [2]漳州师范学院中文系,福建漳州363000

出　　处：《新疆艺术学院学报》2011年第1期30-35,共6页Journal of Xinjiang Arts University

基　　金：教育部人文社科项目"道教与民间信仰的区域化研究"(06JA730004)。此文为该项目阶段性成果

摘　　要：道教壁画具有深厚的传统文化意蕴。它以鲜明的叙事性特征,借助图像来传播和弘扬道教,充当社会教化的工具,为维护古代社会秩序和谐、稳定作出了贡献。道教壁画还具有神圣性与世俗性交融互会的审美风貌,这一风貌与道教"入世"与"出世"的双重品格相互呼应,互为表里。道教壁画吸收了儒释道等多种传统文化元素,是多元思想文化凝结之艺术。这从一个侧面揭示出道教思想文化的丰富性,以及开放性与包容性的品格。Taoist frescoes possesses the profound connotations of traditional cultures.It has the obvious narrative characteristics. Taoist frescoes with narrative pictures can clearly carry forward Taoism. Just like other traditional cultures and arts, Taoist frescoes has a moral responsibility to safeguard harmonious society.Meanwhile, Taoist frescoes also has sacred and secular styles of aesthetics. The styles and dual character that is ＂go into the society and renounce the world＂ in Taoist cultures take concerted actions and are the same outside and inside. Taoist frescoes was the cultural fruits of muhielement ideas.The multielement characteristics reflected, from indirect sources, the open and magnanimous features in Taoist cultures.

关 键 词：道教 壁画 传统文化 意蕴 

分 类 号：K879.41[历史地理—考古学及博物馆学] G122[历史地理—历史学]