孔颖达的易象观与审美意象的建构  

Kong Ying-da's Theory of Yi Images and the Construction of Aesthetic Images

作　　者：乔东义[1] 

机构地区：[1]安徽师范大学文学院

出　　处：《哲学研究》2011年第4期50-57,128,共8页Philosophical Research

基　　金：国家社科基金项目(编号09CZX046);教育部人文社科研究专项任务项目(编号10JDJNJD004)的阶段性成果

摘　　要：孔颖达系隋末唐初经学大师，以主撰《五经正义》播名于史。《五经正义》历来被视为经学、哲学诠释文本，但却涵有不可忽视的美学营养。其中如《周易正义》等文本，就直接包含了丰赡的美学思想材料。如所周知，中国古典美学是以审美意象等范畴为中心的美学，Kong Ying-da,a famous scribes in the Tang dynasty,paid the attentions both to image-number and philosophical connotations,restoring the tradition of Zhou Yi by attaching importance to 'image',made the amongst 'image' point to two boundary between metaphysical and physical,and so promoted the philosophical Yi Images turning to aesthetic images.Through Kong Ying-da's pectination and interpretation,the various Yi Images constructed by ancients by means of 'watching for images',filled with intentional and axiological connotations,turned naturally to the aesthetic.Kong Ying-da also consciously threaded Shi and Yi together theoretically,interpreted poetic metaphors from Yi Images,put forward some aesthetic and poetic propositions such as 'Like poetry parables','metaphors require selecting image',etc,and so profoundly revealed the common poetical thought characteristics between Yi Images and poetic metaphors.This played great stimulative effects both to the aesthetic interpretations of Chinese traditional confucianism and philosophies,and to the maturity of image and artistic conception theory belonging to Chinese classical aesthetics in the Tang dynasty.

关 键 词：审美意象 孔颖达 中国古典美学 《五经正义》 易象 《周易正义》 哲学诠释 思想材料 

分 类 号：B241.9[哲学宗教—中国哲学]