南宋浙派琴乐风格探微  

Exploration upon Qin Music Style of Zhe School in Nansong Dynasty

作　　者：郑祖襄[1,2] 

机构地区：[1]杭州师范大学音乐学院,浙江杭州310001 [2]中央音乐学院音乐学系,北京100031

出　　处：《艺术百家》2011年第2期179-182,共4页Hundred Schools In Arts

摘　　要：元代袁桷《清容居士集》中的"琴述——赠黄依然"、"示罗道士"、"题徐天民草书"等记载论及南宋浙派琴乐的诸方面问题,其中论述到郭沔创作的琴曲是"大抵皆依蔡氏声为之者"。联系相关史料,可知郭沔在整理旧谱和创作中继承了"蔡氏五弄"的风格,从而奠定了南宋浙派的琴乐风格。也因为此,浙派被后世视为琴乐的正宗和资源的宝库。In ＂Collections of Laymen Qingrong＂ ascribed to Yuan Jue,chapters of ＂Interpretation of Qin＂,＂To Luo Monk＂,＂Inscribe to Xu Tianmin＇s Freehand Calligraphy＂ record several problems of Qin music of Zhe School in Nansong dynasty. Based upon the investigation upon relevant literature,we could infer that Guo Mian had inherited master Cai＇s style in his collecting and adapting old compositions,which established the style of Qin music of Zhe School.

关 键 词：音乐艺术 古琴 浙派 郭沔 袁桷 《清容居士集》 

分 类 号：J602[艺术—音乐]