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出 处:《衡阳师范学院学报》2011年第2期60-65,共6页Journal of Hengyang Normal University
摘 要:主旋律文学的实践活动始终坚持马克思主义文艺美学思想,力图发挥文学的意识形态功能,从而促进整个经济基础和上层建筑发生根本的变革。因而,主旋律文学自觉介入政治、介入社会生活、介入历史时代,从而形成其政教性、社会性、历史性等基本特征。然而在主旋律文学的实际创作过程中,由于各种现实的原因,与整个二十世纪作为"非文学的世纪"相联系,呈现一种复杂情形,一些作家缺乏应有主体性,故理所当然为一些论者所诟病。The mainstream literature activities have been adhering to the Marxist literary aesthetics of literature,aspiring to play an overwhelming role in ideology so as to promote the radical transformation of economic foundation and superstructure.Accordingly,the mainstream literature gets involved conscientiously in politics,in social life and in historical evolution,thus forging some fundamental features like politics-oriented education,sociality and historicity.However,when coming to the real-life composing and devising process,the mainstream literature,interrelating to the entire 20th century as "the non-literature century",presents a scene of complexity.Some writers,due to the lack of desirable subjective consciousness,as a matter of course,deserve to be the subject of criticism.
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