书法艺术与诗歌意境的关系  

The Relationship between Art of Calligraphy and the Artistic Conception of Poetry

作　　者：陈艳丽[1] 

机构地区：[1]河北科技师范学院文法学院,河北秦皇岛066004

出　　处：《河北科技师范学院学报（社会科学版）》2011年第1期103-108,共6页Journal of Hebei Normal University of Science & Technology(Social Sciences)

基　　金：河北省文化艺术科学规划项目"书法艺术与诗歌意境关系研究"(09BE027)

摘　　要：中国艺术家把"人与自然、人与人、人与内心"的和谐为宗旨的中国哲学,渗透到艺术创作的精神领域。作为中国传统艺术形式的书法和诗歌,体现出传统哲学生命理念中强调个体生命和精神自由的精髓,两者在含蓄蕴藉的审美旨趣上相互融通,书法作品给诗歌意境的阐发和拓展开辟了无尽空间,诗歌意境对于书法创作进行了诠释和解读;同时,作为不同的艺术形式,两者又大有异趣。研究二者的关系,对于书法和诗歌创作具有重要的现实意义。The Chinese philosophy takes the harmony between ＂human and nature,human and human,and human and innermost being＂ as the aim,which is infiltrated by Chinese artists into the spiritual area of artistic creation.Calligraphy and poetry,as the traditional Chinese artistic forms,embody the soul of life conception of traditional philosophy which emphasizes on individual life and mental freedom,and they integrate with each other in refined and implicit aesthetical intention.Calligraphy opens up an endless space for the elaboration and expansion of the artistic conception of poetry,and the artistic conception of poetry annotates and explains the creative activity of calligraphy;meanwhile,as different artistic forms,the two have distinctive characters.Studying the relationship between them is an important practical significance in avoiding the tendency of shallowness in the creation of calligraphy and poetry.

关 键 词：书法 诗歌意境 关系 

分 类 号：J292.1[艺术—美术] I052[文学—文学理论]