论唐代文学中的“歌者”  

"Musicians" in Tang Dynasty Literature

作　　者：柏红秀[1] 

机构地区：[1]盐城师范学院文学院

出　　处：《南京师大学报（社会科学版）》2011年第3期149-154,共6页Journal of Nanjing Normal University(Social Science Edition)

基　　金：教育部社科项目(10YJC751001);江苏省社科项目(09ZWC011)

摘　　要：安史之乱以后,唐代文学对"歌者"的描写不但数量骤增、内容大大拓宽,而且还将他们塑造成悲剧形象。产生这种变化的原因在于:新的音乐发展格局及歌辞需求的增加导致文人与"歌者"关系密切,因而对他们有全面深入的了解;新的音乐审美风尚使得"歌者"更多地从事忧伤乐曲的表演,并因力求声情并茂而呈现出悲伤的神态;文人在观照"歌者"时,因联想到国家兴衰和自身命运而融入伤感的情怀。After the An-Shi Rebellion the description of ＂musicians＂ in the literature of the Tang Dynasty surged both in number and in theme. In those literary descriptions, the musicians were mostly given tragic images. This change was due to several causes. Above all, the new developments in musical pattern and the increased demand of song lyrics caused scholars to be closely related to ＂musicians＂, so they acquired a good knowledge about the ＂musicians＂. Also, new aesthetic taste of music encouraged ＂musicians＂ to be more engaged in performing sad music pieces and trying to show a remarkable voice and expressions of sadness. While watching the ＂musicians＂, the scholars put on paper their worries about the national prosperity and their personal life.

关 键 词：“歌者” 雅乐 俗乐 胡乐 音乐审美 

分 类 号：I206.2[文学—中国文学]