以美育代宗教与中国现代美学的身份认同  

Substitute Region with Aesthetic Education and the Status Identification of Modern Chinese Aesthetics

作　　者：王本朝[1] 

机构地区：[1]西南大学文学院,重庆400700

出　　处：《艺术百家》2011年第5期44-48,共5页Hundred Schools In Arts

基　　金：教育部"新世纪优秀人才支持计划"项目"20世纪中国文学生产方式与文学意义和形式"(项目编号:NCET-10-0661)阶段性成果之一

摘　　要：蔡元培所提出的"以美育代宗教"观念,成为中国现代美学史上第一个美学命题。它积极参与了五四新文化运动,起到了反对孔教的思想启蒙作用,并以美的普遍性、情感性和超利害性,建构了中国现代美学观念,影响到美学在现代中国的社会地位和知识路径,并被作为学校教育和文学艺术的价值尺度。与此同时,由于它对西方理论的依赖,忽略了社会现实和历史背景,也使中国现代美学存在着身份认同的混乱。The conception ＂substitute region with aesthetic education＂ Cai Yuanpei put forward,was the first aesthetic proposition in modern Chinese aesthetics history.It actively participated in the ＂May Fourth New Culture Movement＂ and played an enlightening role in combating Confucianism.It also established a modern Chinese aesthetic notion with its universality,feeling,and transcendency of beauty.It influenced the social status and developmental way of aesthetics in modern China.In addition,it was considered to be a criterion of school education and literature and art.Meanwhile,it was dependent upon western theory and overlooked the concrete social and historical background,which brought some difficulties in its status identification.

关 键 词：中国现代美学 以美育代宗教 走向 价值建构 身份认同 发展 

分 类 号：J01[艺术—艺术理论]