鲁迅晚期杂文的一种思维向度和言说方式  

The Thinking Dimension and the Writing Manner about Lu Xun's Latter Essays

作　　者：鲁春梅[1] 迟伟红[1] 

机构地区：[1]东北财经大学新闻传播学院,辽宁大连116023

出　　处：《福建师范大学学报（哲学社会科学版）》2011年第6期62-67,共6页Journal of Fujian Normal University:Philosophy and Social Sciences Edition

基　　金：辽宁省教育厅项目"都市语境与鲁迅上海创作的关联研究"(项目编号:W2110100)

摘　　要：鲁迅晚期杂文与上海生活经验有很大关联,上海这个特定的文化空间,不但提供给鲁迅观察社会世相的一扇窗口,同时也影响着杂文创作的思维方式与言说策略。鲁迅晚期杂文往往在都市文化与租界体验的文化语境之中展开,解剖国民劣根性在租界社会的变异,批判沪上文人对金钱物质的依赖,挖掘知识分子流氓人格在洋场文化中的发酵与扩大。鲁迅还通过"剪贴"与"备考"的方式,缩微出一个真实的言论环境,使得晚期杂文具有一种对话感与互动性。Lu Xun＇s latter essays gets close touch with Shanghai life experience,Shanghai as the particular cultural space is not only to be the window from which Lu Xun observed the world and the human life,but also affects the essay thinking pattern and strategy of writing.Lu Xun＇s Latter Essays is often created in urban cultural context,revealed the variation of the national incorrigibility in concession society,and criticized the money worship arround in Shanghai literator,and figured out the fermentation and expansion of the intellectuals vagrant personality in foreign culture.The miniature of a real opinion environment is presented by the way of newspaper clipping and quoting,it made the Lu Xun＇s latter essays become dialogical and interactive.

关 键 词：鲁迅 晚期杂文 思维向度 言说方式 

分 类 号：I210.4[文学—中国文学]