尚待发掘的“萧伯纳式”戏剧艺术——国内萧伯纳接受史论  

The Drama Artistry of "Bernard Shaw Style" Yet to be Explored Commentary on the History of Domestic Reception of Bernard Shaw

作　　者：杜鹃[1] 

机构地区：[1]南通大学文学院,江苏南通226019

出　　处：《南京师范大学文学院学报》2011年第4期84-88,共5页Journal of School of Chinese Language and Culture Nanjing Normal University

基　　金：江苏省教育厅高校哲学社会科学研究项目:"‘萧伯纳式’戏剧艺术及对中国戏剧发展的影响";编号:2011SJB760021

摘　　要：荣获1925年诺贝尔文学奖的萧伯纳声名卓著,"萧伯纳式"戏剧的独特魅力激发了众多西方学者的探索热情,对于他的研究早已成为英美等国家的一门显学。自五四新文化运动时期起,萧伯纳其人其作进入了国人的接受视野。在近百年的时间中,萧伯纳的名字在中国耳熟能详,但迄今为止,他的著作被翻译成中文的依然有限,对他的研究也远未达到系统深入的程度。全面梳理萧伯纳在国内的接受历程,透析其在特定社会历史语境中的流播及演变,有助于推动国内萧伯纳研究的深化。Bernard Shaw has the notable reputation of the winner of the 1925 Nobel Prize of literature. The ＂Bernard Shaw Style＂ drama has stimulated numerous Western scholars＇ enthusiasm of exploration with its unique charming. Bernard Shaw and his works entered the horizon of Chinese people since the ＂May 4th＂ period, after nearly one hundred year his name is quite well known in China. Nevertheless, the translated Chinese versions of his works are still quite limited till now, and the research on him is far from being system- atic and deep. A general investigation of the reception history of Bernard Shaw in our country with analysis on its evolution under particular social historical context will be useful in promoting the deepening of the research of Bernard Shaw in our country.

关 键 词：萧伯纳 翻译研究 接受史 

分 类 号：I106.3[文学—世界文学]