诗意地回望麦田——《奔逃》与《麦田里的守望者》叙事策略之比较  

A Comparative Study of the Narrative Strategies between Bentao and Catcher in the Rye

作　　者：姚声正[1] 刘蓓然[1] 

机构地区：[1]井冈山大学人文学院,江西吉安343009

出　　处：《井冈山大学学报（社会科学版）》2012年第1期88-92,共5页Journal of Jinggangshan University(Social Sciences)

摘　　要：留恋青春少年那些最盛华最神秘也最本质的气息,这是塞林格《麦田里的守望者》与刘毅然的《奔逃》共同的叙事策略。有别于前者表现题旨的含蓄蕴藉,《奔逃》彰显出强烈的现实针对性和文化批判意味,小说的意蕴缘此而变得窄狭,在题旨的表现上也给人以不充分的感觉。这种审美追求的迥异与二人缅怀青春的不同言说方式息息相关:塞林格是执着地守望"麦田",刘毅然则热衷于重新经验青春的热烈和纯真。The reluctance to depart with the most beautiful,mysterious and essential youth is the common narrative strategy adopted both in J.D.Salinger＇s Catcher in the Rye and in Liu Yiran＇s Bentao（Escaper）.Compared with implicit expression of motifs in the former,the latter has a strong realistic pertinence and cultural critique,which narrows the connotation of the novel and lowers the adequacy of theme presentation.Those different aesthetic pursuits are result of the authors＇ different utterance on youth memories： Salinger is persistently ready to catch in ＂the rye＂ while Liu Yiran is keen on re-experiencing the enthusiasm and innocence of youth.

关 键 词：《麦田里的守望者》 《奔逃》 叙事 比较 

分 类 号：I206.7[文学—中国文学]