视唱练耳教学实践中乐理的几个理论问题  

Several Theoretical Issues of the Solfeggio Teaching Practice

作　　者：刘德波[1] 

机构地区：[1]韶关学院音乐学院,广东韶关512026

出　　处：《韶关学院学报》2012年第1期180-183,共4页Journal of Shaoguan University

摘　　要：《基本乐理》、《视唱练耳》与真理性的学科一样也必须经过反复"实践、理论、再实践"的一个不断完善过程。结合视唱练耳的教学实践,探讨李重光先生"基本乐理"中几个理论问题。在某程度上说,李重光先生等大师级的基本乐理完善之时,也就是我国的基本乐科走向正轨之时。The basic music theory, Solfeggi, just as the other theoretical subjects, must go through repeated cycle of ＂practice, theory, and practice again＂, which is seen as a continuous improvement process. Combined with the teaching practice of solfeggio, the paper discusses Mr. Lee Chung-kwong＇s basic music theory as well as several other theoretical issues. In a sense, Mr Lee Chung-kwong, master of basic theory, takes lead in China＇s basic music subject.

关 键 词：基本乐理 视唱练耳 音程 和弦 节奏 移调乐器 

分 类 号：J613.1[艺术—音乐]