“明道救世”与近代中国音乐史学  

“Profoundly Comprehend the Truth and Save the World” and the Historiography of Modern Chinese Music

作　　者：郑祖襄[1,2] 

机构地区：[1]杭州师范大学音乐学院,浙江杭州310002 [2]中央音乐学院音乐学系,北京100031

出　　处：《艺术百家》2012年第3期107-114,共8页Hundred Schools In Arts

摘　　要："明道救世"是清初学者顾炎武提出做学问目的的两个方面。近代中国音乐史学的几部重要著作(叶伯和《中国音乐史》、郑觐文《中国音乐史》、王光祈《中国音乐史》、杨荫浏《中国音乐史纲》)在西方音乐大量传入的影响下产生了中国音乐的新理念,建立起中国音乐史学新的"道",同时又在现实社会中发挥了文化救国的意义。虽然这四部著作的内容、体例各自不同,但"明道救世"却是它们共同的特征。As a scholar in early Qing dynasty, Gu Yanwu proposed that for doing scholarship, it＇s significant both to profoundly comprehend the truth and to save the world. Influenced by western music theory, China formed its own new conceptions of music. In that time, important masterpieces of music historiography had established a new ＂Tao＂, and play a significant role in saving our country.

关 键 词：音乐艺术 明道救世 中国音乐史 叶伯和 郑觐文 王光祈 杨荫浏 

分 类 号：J609[艺术—音乐]