生态美学视野下《额尔古纳河右岸》的死亡意象探析  

On Death Imagery in The Right Bank of Argun River Viewed in Ecological Aesthetics

作　　者：洪艳[1] 

机构地区：[1]湛江师范学院基础教育学院,广东湛江524300

出　　处：《柳州师专学报》2012年第3期6-8,共3页Journal of Liuzhou Teachers College

基　　金：2010年湛江师范学院人文社会科学研究青年基金项目"生态美学视野下的中国现当代文学研究"(QW1031)

摘　　要：迟子建通过对"死亡"的抒写,以暗喻人类当下的生存境况,她更以文本中"死亡意象"的创设,揭示蕴涵其中的关于人类生存与死亡的深刻思考。同时,她试图用一种母性的温柔呼唤人类与自然和谐共处、以女性个体尊严的召唤结合"死亡意象"来表征当代作家的美学思考。Chi Zijian described the death as a metaphor as the current situation of the mankind survival. And she created the image of death in the text, which reveals the implication of profound reflection on human life and death. Meanwhile, She tried to use a maternal gentleness to arouse the human and the nature co - existence harmoniously, and combine the calls of female individual dignity with the image of death as the representation of aesthetics thinking in contemporary writers.

关 键 词：生态美学 死亡意象 《额尔古纳河右岸》 母性 

分 类 号：I01[文学—文学理论]