水墨人物画造型方式探析  

An Analysis of the Modeling of Ink Figure Painting

作　　者：邓益民[1] 

机构地区：[1]西北大学艺术学院,陕西西安710069

出　　处：《西北大学学报（哲学社会科学版）》2012年第5期173-176,共4页Journal of Northwest University：Philosophy and Social Sciences Edition

基　　金：陕西省哲学社会科学规划项目(12J114)

摘　　要：作为当代中国人物画的主流,水墨人物画诞生已近百年,其造型方式一直备受关注。由水墨人物画造型方式创立的过程、基本造型观念和造型方式可以看出,水墨人物画的造型是"洋为中用"、"融汇中西"的结晶。成功的水墨人物画造型探索已经证明,水墨人物画的造型,当以写实主义、人文关怀的精神和中国民族化为基本方向,必须坚持以中国画为根基,吸纳优秀外来艺术元素为己用,方可创作出民族气派与时代特征兼具的水墨人物画造型。As the main stream of contemporary Chinese figure painting, the ink figure painting has enjoyed a history of over 100 years and its modeling has caught wide attention. From the idea, process and modeling, the modeling of the ink figure painting is the product of using the foreign to serve Chinese purposes and combining the west with the Chinese. It also shows that the modeling of the ink figure painting should take realism, humanitarianism and Chinese national characteristics as its basic aim, take Chinese painting as the basis, and absorb exercellent foreign elements. Only in this way, can the modeling of ink figure painting with national characteristics and features of the modem times be created.

关 键 词：水墨人物画 造型方式 素描 形似 以形写神 

分 类 号：J0[艺术—艺术理论]