文学的形式焦虑与想象——大众化视阈中的“民族形式”论争问题考察  

Imagination of Literary Form with Anxiety——The Investigation of Controversy of “National form” from the Perspective of Massification

作　　者：罗立桂[1] 

机构地区：[1]西北师范大学文史学院,甘肃兰州730070

出　　处：《中南大学学报（社会科学版）》2013年第2期148-153,共6页Journal of Central South University：Social Sciences

基　　金：甘肃省社科规划项目<文艺形式与马克思主义大众化的实现路径研究>(12016ML);西北师范大学青年教师科研能力提升计划项目<大众化与二十世纪中国文学现代性问题研究>(SKQNGG12001)

摘　　要：由于民族存亡和战争的现实需要,抗战时期民族主义成为文化上的主要诉求。文学"大众化"一直以来就存在的形式焦虑,在抗战的复杂境遇中,表现得更加突出,"民族形式"论争就是这种焦虑的集中表达。论争寄托了知识分子对"民族形式"的不同想象,解放区的"大众化"运动中,"民族形式"被创造出来,赋予了具体的形态。尽管这些形态,不可能实现"民族形式"作为一种文化符号所承载的所有意义,但是却在社会政治动员中真正发挥了作用。Because of the survival of nation and the war, nationalism is mainly pursued in culture during the period of the anti-Japanese war. The anxiety of literature massification is more obvious in the complex situation in the war and the controversy of ＂National form＂ is the concentrated expression of this anxiety. The controversy includes different imagination of the intellectuals about ＂national form＂, which is created to give a specific form in the movement of literature massification in the liberated areas. Although it is impossible to achieve the significance of＂national form＂ as a cultural symbol, these forms played a significant role in the social and political mobilization movements.

关 键 词：民族主义 文学大众化 文学形式 焦虑 想象 建构 

分 类 号：I021[文学—文学理论]