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作 者:朱全国[1]
出 处:《西南大学学报(社会科学版)》2013年第3期112-117,175,共6页Journal of Southwest University(Social Sciences Edition)
基 金:国家社科基金项目"诗学隐喻理论及其文学实践"(11CZW001);项目负责人:朱全国;中国博士后基金项目"语言视域中的当代文学危机研究"(20110491183);项目负责人:朱全国
摘 要:在表述对象的过程中,从发生学角度而言,语言与图像都是人类古老的重要表述方式。书面语言的出现丰富了语言的内涵,使语言的表述处于强势地位。随着现代信息技术的出现与兴盛,图像已经成为与语言表述并驾齐驱的表述方式。从艺术表述的效果而言,两者都具有伪示呈现对象的功能,但同时也具有各自的特点。图像表述在于其意义表达的直接开放性和一定的写实性,语言表述在于情感性、间接性的传达。从意义理解的角度而言,图像与语言表述在受意图、文本、语境、接受者影响的同时,也受人们艺术互涉理解方式的影响。艺术互涉的理解方式(如语言-图像互涉)使人们在理解艺术时更加立体和丰满。The emergence of the written language has enriched the connotation of language and made language representation in a dominant place.With the emergence of modern information technology,images have become another important way of expression besides language.In terms of the effect of artistic expression,both of them have the function of presenting an object in a spurious way,but each also has its own characteristics.Image expression lies in its meaning's direct openness and certain realism while language expression lies in its emotional and indirect communication.As for the understanding of significance,image and language representation are both affected by different intention,text,context and receiver as well as people's interactive ways of understanding art,which(like the Language-Image Interaction) can make people understand art more fully.
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