禅宗美学视野下的文字与图像关系研究——当代图像的异化及其与禅宗公案的异趣同构  

On the Relationship Between Chinese Characters and Images from the Perspective of Zen Aesthetics

作　　者：邓绍秋[1] 

机构地区：[1]湖南第一师范学院中文系,长沙410205

出　　处：《四川师范大学学报（社会科学版）》2013年第4期27-34,共8页Journal of Sichuan Normal University(Social Sciences Edition)

基　　金：湖南省社科基金项目"视觉图像与禅宗公案的诗意融合"(编号:12YBA092);湖南省教育厅课题"基于小学教师培养的国学教育创新研究"[编号:0(453)];湖南第一师范学院校级重点学科"文艺学学科资助项目"的阶段性成果

摘　　要：视觉图像已经成为当下现实生活的重要组成部分,并存在异化倾向。然而,从诗意接受和中国古代"境生"创造的角度来看,当代图像与中国古代禅宗公案之间存在异质同构的关系。两者在审美形态、思维路向、表达方式、接受方式等方面存在较大的差异性,同时也存在相融同构的可能性:一是将视觉图像公案化,即视觉公案;二是文字公案视觉图像化。现代人可以超越当代视觉图像的异化倾向,领悟禅宗公案的禅趣与诗意,获得精神自由和解放。Visual images have become the changing. Nevertheless, from the perspective indispensible part of modern life and are constantly of poetic accept and the Chinese traditional view on the creation of state, contemporary images and public records of Zen are isomorphic. Different as they are in aesthetic form, way of thinking, means of expression and acceptation, they have the possibility of being isomorphic： on one hand, the visual images can be public records, and on the other hand, the public records of Chinese characters can be visualized. The modern generation can overcome the alienation of visual images and finally gain the spiritual freedom. to appreciate the Buddhist mood and poetic flavor,

关 键 词：当代图像 禅宗公案 诗意融合 

分 类 号：B83-02[哲学宗教—美学]