回归审美经验——建立美学基点的尝试  

Returning to Aesthetic Experience——An Experiment of Establishing the Base Point of Aesthetics

作　　者：董志刚[1] 

机构地区：[1]山西师范大学文学院,山西临汾041004

出　　处：《未来与发展》2013年第8期38-43,共6页Future and Development

基　　金：国家社科基金项目"十八世纪英国美学学派研究"(11CZX073);山西省"高等学校青年学术带头人支持计划"(2012)

摘　　要：长期以来,美学偏离自身的基本任务,即对审美经验的分析和描述,以致成为变相的形而上学,陷入空洞模糊的境地。美学可以用心理学、语言学等方法分析和描述严格的审美经验,以确定其区别于其他经验的基本性质、构成要素和活动方式。但审美经验并不是一个封闭的系统,其中不仅包含有感觉、情感、想象等活动,也容纳了理性认识、价值判断,因而形成不同层次的美。同时,审美经验密切地参与到社会交往的过程中,因而体现着丰富的社会文化内涵。然而,这并不会瓦解纯粹的审美经验的界限,相反,只有建立起关于这种审美经验的完整理论,美学才能确定自身主题和原则,与认识、道德、文化、形而上学等领域建立起有效的联系,并清晰地解答由此产生的种种问题。For a very long time,Aesthetics has been deviated from its elementary task,that is to analyze and describe aesthetic experiences,so that Aesthetics became disguised Metaphysics,and fell into an empty and obscure station.Aesthetics should analyze and describe strict aesthetic experiences by psychological and linguistic methods,in order to their primary qualities,elements and operations that are distinct from other experiences.This does not mean that aesthetic experience is a closed system,because it does not only consist of senses,sentiments,imaginations and so on,but also rational cognitions,value judgments,so generates different levels of the beautiful.At the same time,Aesthetic experiences participate into social communications closely,so that they embody plentiful social and cultural connotations.However,this would not break the limits of aesthetic experiences,on the contrary,only by an integrated theory of the aesthetic experiences,Aesthetics can determine its own subjects and principles,and build effectual relationships with cognition,moral,culture and Metaphysics,and explain clearly all questions derived from those relationships.

关 键 词：审美经验 情感 理性认识 价值判断 社会交往 

分 类 号：B83-0[哲学宗教—美学]