“中国现当代文学史”写作路径的选择与走向  

The Choice and Trend of the Standards of Evaluation in the Compilation of History of Chinese Modern and Contemporary Literature

作　　者：刘忠[1] 

机构地区：[1]上海师范大学人文学院,上海200234

出　　处：《中州大学学报》2013年第4期1-10,共10页Journal of Zhongzhou University

基　　金：国家社科基金项目(11BZW101);上海市教委曙光计划项目(10SG43);上海高校一流学科(B)建设计划项目(12sg12)

摘　　要：文学史写作就是选择一条开启文学之门的路径,对于中国现当代文学来说,这路径在50、60年代是革命化、阶级论,在80年代是启蒙、人的文学,在90年代是审美、现代性,新世纪则是还原、历史化。一定意义上,一部中国现当代文学史就是一个审美主义与意识形态相生相克的建构过程,一个文学史家与作家作品的对话过程。The compilation and writing of the history of literature to some degree means the choice of an access to the essence of literature. As to the modern and contemporary literature in China,the choice was based on the revolutionized theory of class in 1950s and changed into the viewpoint sparkling with the enlightenism and humanism in 1980s. In 1990s,the compilers of the history of modern and cotemporary literature in China view aestheticism and modernism of more profound meaning,while with the dawn of the new century,the reconstruction of the history,a new standard to compile the history of literature,plays a more important role in the study. It is true that in a certain sense,the compilation and writing of the history of Chinese modern and contemporary literature is a counteracting and reinforcing construction of the theory of aestheticism and ideology,and a conversation between the literary histo- rians and the works of the authors.

关 键 词：中国现当代文学史 写作路径 革命 启蒙 审美 还原 

分 类 号：P444[天文地球—大气科学及气象学]