日本俳句的翻译形式和意蕴——以许渊冲“三美”思想作指导  

Translation Forms and Implications in Japanese Haiku: Guided by Xu Yuanchong's“Three-Beauty Principle”

作　　者：崔德军[1] 

机构地区：[1]宜宾学院外国语学院,四川宜宾644007

出　　处：《宜宾学院学报》2013年第10期83-88,共6页Journal of Yibin University

摘　　要：许渊冲的"意美、音美、形美"翻译思想对日本俳句翻译具有一定的指导意义。"形美"是俳句翻译的首要前提条件,音韵是体现俳句"音美"的必要因素,而揣摩诗歌的意境、达到传神效果是使俳句升华到"意美"的关键所在。Xu Yuanchong＇ s translation thought of ＂beauty in meaning, beauty in sound and beauty in form＂ has es- tablished the directive significance for the translation of Japanese Haiku. ＂Beauty in form＂ should be the precondition of the translation of Haiku. Phonology becomes one essential factor to reflect ＂ beauty ment of artistic conceptions of poems to realize lifelikeness is proved to be the key to meaning＂. in sound＂ of Haiku. Entertain- Haiku to sublimate ＂beauty in

关 键 词：俳句 翻译美学 形美 音美 意美 

分 类 号：H365.9[语言文字—日语]